Assignment 5: updated title and statement

Title

For the longest time I had in mind a specific title for this work:

I Woke Up and Everything Was Fine

The significance of the phrase was to evoke the overly-simplistic mindset of voters in the EU Referendum: that the vote would either validate a comfortable life or transform an uncomfortable one – continuity vs disruption.

However, as time has passed (quite a lot of time as it happens) my intended message has evolved, and I’m trying to distill it down to be potentially less obscure (or even confusing). To start with my interest was in the vote aspect of the referendum – why people voted how they voted. But as more time passed I became much more interested in the aftermath: how new tribal identities – some self-identified, some insulting – had emerged, and how the over-simplification that beset the campaign was carried over into stereotyping and name-calling that still persists.

So with all of that in mind I am now considering the working title to be:

Two Kinds of People

This better fits the ‘politics of division’ / oversimplification message that I’m aiming to communicate. It is of course a reference to the aphorism: “There are two kinds of people in the world…” – sometimes used seriously but more often these days the lead-up line of a joke. The association of the phrase with jokes based on absurd over-simplifications is hopefully going to help my satirical message intent.

Statement of Intent

This refinement of concept and title means that I have redrafted the Statement of Intent, again:

Politics, like photography, simplifies.

In 2016 the impossibly complex issue of the United Kingdom’s membership of the European Union was distilled down to one question: Remain or Leave? This ruthless simplicity eradicated nuance from the debate and we were all suddenly obliged to fit into binary categories – do you want continuity or disruption? The New Statesman summed it up the day after the vote: “This was never a referendum on the EU. It was a referendum on the modern world.”.

Narratives that emerged to explain the shock result represented a doubling-down of the politics of division that had beset the campaigning; new tribes emerged overnight – some self-identifed, some insulting: you weren’t just a remainer or a leaver, you were a remoaner or a brexitard; the liberal elite or the left-behind; an intellectual or a bigot.

I revisited a number of northern English towns that I have lived in, looking at them anew through the lens of the referendum result. Data is a potent simplifier. Percentages and charts can confer an undeserved authenticity upon a situation. Numbers, words and photographs are all, in their own ways, inadequate descriptive systems.

With these images I aim to provoke thought about the absurdity of such ‘weaponised generalisation’; how much easier it is to lean on divisive stereotypes than to understand the nuances of human behaviour and the range of opinions and values. I also intend this to be a kind of postmodern meta-critique, to bring to the surface the subjectivity of the documentary photographer – I can depict these towns exactly as I want to; all of these images are accurate, even if none are ‘true’.

Photography, like politics, simplifies.

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